So
I’m going to be honest with you. This
blog will be short and sweet. Er, short
anyway. Well, not exactly short, either,
but more brief than usual. Because while
I am not expending the usual effort for this particular blog, I am already hard
at work on the next two blogs, because once school starts my time will be
limited and these things don’t write themselves, people. Since I’ve had a serious blog or two lately,
I have elected to bring back CK for a few fun frames.
The
first two are a bit random, as I had that awkward time between Christmas and
New Years to fill. The others are about
New Year’s, which for some reason I seem to be really focusing on this year (I
don’t know why). I think some character
introductions and reintroductions are in order before you view the following
cartoons.
The
main character, of course, is CK. Which
stands for Cookie Killer. If you still have
any confusions on that one, refer to an older blog here.
Ed
was part of Skay Newsday like the other characters, but this first strip is his
introduction into CK’s Life: Between the
Meals. In Skay Newsday, Ed was a martial
arts instructor, but he’s kind of a floater in the cartoon strip. CK needed a friend to abuse, and Elbee (his
roommate) could only endure so much.
Note that in this strip there’s the unseen narrator, which we haven’t
heard from since the very first strip. I
guess you could say it’s me, the cartoonist.
In
this strip we see Ester, CK’s girlfriend.
God only knows why she tolerates his bone-headed behavior, but somehow
she and CK are together for CK’s Life:
Between the Meals. She’s an
elementary school teacher, which explains her patience for CK. They're at the Rooftop Diner, a recurring location in the strip.
Yes,
I realize this is crappy artwork at best.
This is CK and Elbee in the kitchen in their apartment. As a writer (and a cartoonist, apparently) I
always found it helpful to draw a physical map of the environment my characters
inhabited. As such I can tell you
exactly what all is in the kitchen.
While this seems unnecessary, it is actually helpful for periodical
works because it brings a sense of consistency.
A lot of cartoons and TV shows will have their characters in the same
location many times, but it’s layout seems to change over time. That always bugged me.
Some
cartoon strips weren’t funny so much as they were serious. Here is a rare example of that.
Until
next time, my friends.




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